Most of what I meant was your proportioning, particularly on arms. Take P39 for example, bottom left panel, where in the heck is that arm coming from? XD It works, but it just doesn't look right, that's what I'm saying.

Overall you're great, I can go through page after page of your work and enjoy it, but something I can definitely see is that you've grown up 'drawing manga/anime' not 'drawing'. Your portraiture shows life, but your full work, any of it, shows anime/manga right to the roots.

Something a person said to me when I was starting out was what defined my own development; draw, and then learn to stylise. Don't learn to draw a style. You can look at my work for that (ignore the recent throw-away stuff, try this one: [link] as an example of my actual work in action) because I started out on the 'learn to draw manga' books, they were easy to get hold of, and then this guide of mine gave me that advice, so I went back and started to learn to draw figures instead. I learnt anatomy and proportioning (and yes, okay, I like drawing women with rather 'perfect' anatomy, what man doesn't?) and *then* I styled my work to make it fit my own preferred outline-and-colour method I picked up from anime/manga style. See what I mean?

In any case, that's me being my brand of perfectionist, we're all a little... some of us a lot... perfectionist at Gashu-Group. Hassan (Legend of the Black Dragon) has his methods, Katja (Demon Catchers, Stories in a Bottle) has hers, and even Cave and Boe (10 Top Tips) have their own particulars. Like I said, that was a personal note, but on a professional stance; go for it kid, we want to see your work grow too. Getting a small volume published with us is the best incentive to do better for a second, and a third, and before you know it... you'll be amazed at what you've accomplished.